Me or me or me or me or me or
Why do you love me if I taste like wrought-iron bars through droplets of rain? My kiss of bronze cast in late morning sun shade coats your tongue in gold leaf. I’m woolly sheep hobbling along the fence, determined to get my fluffy white coat caught on the wire. I think about cotton, soft but slightly abrasive if you squash it too tightly and rub it back and forth across your spine.
I think of merging this paragraph with another cotton story (maybe you’ll see that one later) so I can make a longer, story, an über-story, a story with more endurance and determination than I could ever hope to wish for. But it doesn’t go together, I say, it doesn’t go. It doesn’t matter, I reply, it doesn’t really matter to anyone at all. But it does sort of matter, to me in an obsessive-compulsive kind of limit-enforcing sort of way. So instead I’m commenting on myself and the process in my head while I speak to Mr Notepad as I often do in my solitary cell. I realise this doesn’t go with that either, but I’m practicing, right now, just practicing feeling for my boundaries. Yes, they’re there and there and a bit over here, too. They spring back like foam from my fingertip. Everything’s okay, then, everyone’s accounted for, we can continue with the tale.
Why do you love me if I taste of your mother’s sour milk and your father’s sour sperm? My kiss of strawberry jam sticky lips turns mouldy on your chin. A mouldy goatee, I exclaim! A mould goatee. What about that, huh? This is curious and wonder-making and alarming in a grossly sweet way.
Why do you love me if I reek of cigarettes and sometime lush drug-addicted homeless prostitutes and carelessness and wine? Why do you kiss me with your pure child aching mouth of innocent lust for a salty glaze cupcake turned full-on stomachache treat? I will devour the melty gooey chocolate and smack my lips and lick my brown fingertips clean to the bone. My gruesome (yet adorable) table manners will make you wish you’d never asked me out to dinner.
In the end I’m almost overwhelmed with the need to remove the second paragraph so the first, third and fourth can stand united as one and free from bloated self-talk, as maybe they were meant to all along. No, no, I say, that’s just crazy talk, I say, mad loony googoofliploopy cuckoo clock stuff. I feel you’d expect that, you’d expect that from me because I’m neat, so neat and quiet. Who’s right? Me? Or me?


In a rare moment of clarity and putting things mildly, I must confess to having spent the last three nights restless in fitful dreams, waking in starts before relaxing slightly to watch the light streaming in through the window and determine the time. Two, three, four, five a.m. I’m adept at this guessing game. Switch the mobile on to corroborate my story (yes, I sleep with the phone next to me on the bed or sometimes clutched in my sweating palm, what of it?) and it turns out my natural time-telling ability is surprisingly accurate. I detest clocks, but I always long for time, so I make excuses for telling it. Don’t ask after the days of the week or month, those artificial constructs, I can only measure time’s passing in bits by studying our daily revolutions.
What’s that smell? Your hands smell funny. I don’t like it. Don’t try to feed me my food. I can feed myself. Don’t touch my food! I’m not hungry anymore.
The day it was supposed to snow but didn’t began much like any other day: shiver sleep walk, steamy shower, toothpaste gag, rush coat grab and run.